Bibliography

1.Duchamp, M., (1967) À l’infinitif - White Box, typotranslated by R. Hamilton and E. Bonk, Typosophic Society

2.Duchamp, M., (1934) Green Box, typotranslated by R. Hamilton (1960) under the title: The Bride Stripped Bare by Her Bachelors, Even, Percy Lund, Humphries & Co. Ltd

3.Henderson, L., (1998), Duchamp in Context, Princeton, New Jersey: Princeton University Press

4.Henderson, L., (1993), The Fourth Dimension and non-Euclidean Geometry in Modern Art: Conclusion, article in Leonardo and The Visual Mind – Leonardo Book (page 229)

5.Abbott, E., (1884), Flatland A romance of many dimensions, online text: http://www.geom.uiuc.edu/~banchoff/Flatland/

6.Henderson, L., (1983), The Fourth Dimension and non-Euclidean Geometry in Modern Art, New Jersey: Princeton University Press

7.Steefel, L., (1977) The Position of Duchamp’s Glass in the Development f His Art, New York and London: Garland Publishing, Inc.

8.Mink, J., (1996), Duchamp, Bonn: Taschen

9.Cabanne, P., (1971), Dialogues with Marcel Duchamp, London: Thames and Hudson